Hamas terrorists parade, Thrithala Fest Kerala, Onam flower designs, Operation Sindoor tribute, Kerala police objection
A few months ago, photos of Hamas terrorists were paraded on elephants during the Thrithala Fest in Kerala. That was considered okay.
But, when Onam flower designs depicted Operation Sindoor as a tribute to Indian Forces in front of a temple in Kerala, the police objected. That… pic.twitter.com/4UMyrMVpBK
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— Anshul Saxena (@AskAnshul) September 6, 2025
In a controversial incident that took place during the Thrithala Fest in Kerala, photos of Hamas terrorists were paraded on elephants, sparking a heated debate on social media. However, when Onam flower designs depicted Operation Sindoor as a tribute to the Indian Forces in front of a temple in Kerala, the police objected, leading to further outrage and confusion.
The incident, which was shared on Twitter by user Anshul Saxena, highlighted the double standards and conflicting reactions to different forms of expression in the state. While the use of Hamas terrorists’ images on elephants was seemingly accepted, the tribute to Indian Forces through flower designs was met with resistance from the authorities.
The tweet quickly went viral, with users expressing their opinions on the matter. Many criticized the police for their intervention in the Onam flower designs, questioning the reasoning behind allowing one form of expression while censoring another. Some argued that the police’s actions were politically motivated, while others saw it as a matter of national security.
The Thrithala Fest, known for its grand celebrations and traditional rituals, has been a popular event in Kerala for many years. However, this incident brought to light the complexities of cultural and political sensitivities in the region. The use of controversial imagery in public displays has often been a point of contention, with different groups interpreting it in various ways.
The juxtaposition of the Hamas terrorists’ photos and the Operation Sindoor tribute highlighted the diverging perspectives on terrorism, national pride, and freedom of expression. While some saw the former as an act of glorification of violence, others viewed the latter as a patriotic gesture honoring the sacrifices of the Indian Forces.
The incident underscored the importance of context and intent in interpreting visual symbols and messages in public spaces. It also raised questions about the role of authorities in regulating artistic expression and the boundaries of political correctness. The debate that ensued reflected the broader societal tensions and divisions within Kerala and beyond.
As the discussion continued online, it became clear that the incident had struck a chord with many, who saw it as a reflection of larger issues of identity, ideology, and power dynamics. The differing reactions to the two displays highlighted the complexities of navigating cultural and political sensitivities in a diverse and dynamic society.
In conclusion, the incident at the Thrithala Fest in Kerala served as a catalyst for a broader conversation on the interpretation of symbols, the limits of artistic freedom, and the role of authorities in regulating public expression. It brought to the forefront the nuances and contradictions inherent in cultural practices and societal norms, sparking a debate that resonated with many. Ultimately, it underscored the need for dialogue, understanding, and empathy in addressing complex and contentious issues in a rapidly changing world.
A few months ago, photos of Hamas terrorists were paraded on elephants during the Thrithala Fest in Kerala. That was considered okay.
But, when Onam flower designs depicted Operation Sindoor as a tribute to Indian Forces in front of a temple in Kerala, the police objected. That… pic.twitter.com/4UMyrMVpBK
— Anshul Saxena (@AskAnshul) September 6, 2025
In a surprising turn of events, a controversy erupted in Kerala a few months ago when photos of Hamas terrorists were paraded on elephants during the Thrithala Fest. This incident sparked mixed reactions, with some considering it acceptable, while others found it deeply troubling. However, the situation took a different turn when Onam flower designs depicted Operation Sindoor as a tribute to the Indian Forces in front of a temple in Kerala. The police objected to this display, leading to a heated debate on social media and beyond.
The juxtaposition of these two events raises important questions about freedom of expression, cultural sensitivity, and the role of art in society. While the Thrithala Fest incident may have been seen as a harmless celebration by some, the use of imagery related to terrorism is undeniably controversial. On the other hand, the Onam flower designs depicting Operation Sindoor can be viewed as a patriotic gesture honoring the Indian Forces. However, the police intervention in this case highlights the fine line between artistic expression and potential offense.
The debate surrounding these incidents brings to light the complexities of cultural representation and the power dynamics at play. While art has the ability to provoke thought, challenge norms, and inspire change, it also has the potential to offend, hurt, or mislead. In a diverse and multicultural society like India, where historical, political, and religious tensions run deep, the responsibility of artists to navigate these complexities with sensitivity and respect cannot be overstated.
The Thrithala Fest incident, which featured photos of Hamas terrorists, raises questions about the boundaries of artistic freedom and the ethical considerations involved in using controversial imagery. While some may argue that art should be allowed to push boundaries and challenge conventions, others may feel that certain subjects should be off-limits due to their potential to incite violence or perpetuate harmful stereotypes. In a world where the line between art and propaganda is increasingly blurred, the need for critical engagement with visual culture becomes more pressing than ever.
On the other hand, the Onam flower designs depicting Operation Sindoor as a tribute to the Indian Forces raise questions about the politics of memory, commemoration, and national identity. While honoring the sacrifices of the armed forces is a commendable gesture, the choice of imagery and the context in which it is displayed can have profound implications. The police objection to this display underscores the complexities of public art and the ways in which it can be interpreted and misinterpreted by different audiences.
In conclusion, the controversies surrounding the Thrithala Fest incident and the Onam flower designs depicting Operation Sindoor highlight the need for nuanced discussions about the role of art in society. While artists should have the freedom to express themselves creatively, they also have a responsibility to consider the impact of their work on diverse audiences. By engaging in meaningful dialogue, fostering empathy, and promoting mutual understanding, we can navigate the complexities of cultural representation and create a more inclusive and respectful artistic community.
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